Portsmouth, Rhode Island will soon be one of the best places to see the elaborate wire sculptures of Richard Lippold.
In the last year some of Lippold’s most complicated constructions have undergone nimble-fingered repairs costing hundreds of thousands of dollars.Artisans at Newmans Ltd., a metal-restoration outfit in Newport, R.I., and at the Richard Lippold Foundation, a nonprofit or ganization in Locust Valley, N.Y., have been clambering around scaffolding to untangle, dismantle, polish and restring sculptures on miles of wire.
Lippold was an engineering genius, but we’ve been dealing with a piece that had reached the threshold of catastrophe,” said Howard Newman, of the Newport company. Working with a budget of $475,000, his staff is now rehanging a Lippold work called “Trinity”: about 215 aluminum bars on four miles of gold wires, spanning from floor to ceiling at a 1960s Benedictine chapel in Portsmouth, R.I.
“People’s mouths fall open when they see it going back up, like they’re watching a spider spin a web of blazing gold,” Mr. Newman said. “The more that goes up, the more exquisite it gets.”
Newmans Ltd. brought in a yacht-restoration company to sandblast corrosion off the aluminum sections and has wholly replaced the original filaments, which were cracking. The deterioration was partly because of miscalculations by the original construction team, led by the modernist architect Pietro Belluschi, said Michael J. DeMatteo, a senior associate at Newport Collaborative Architects, which is overseeing a $4 million restoration of the chapel for the owners, a monastery and a boarding school (Portsmouth Abbey). The chapel’s wood frame and stained-glass stripes were not engineered to withstand Rhode Island coastal conditions, Mr. DeMatteo said. “The building has leaked and twisted in the wind since the day it opened,” he added, causing uneven stress on the Lippold sculpture.
The restoration of the elaborate sculpture is a complicated work itself
Image: Richard Lippold Foundation